Achat et vente de tirages photographiques originaux signés
Argentic - photo - collection

Qui sommes nous
Rome by Michel Giniès JANE FONDA ROGER VADIM Pancho Villa, James H. Hare John Wayne and Claudia Cardinale Mr Forbes-Robertson, Herbert Rose Barraud La Péniche aux enfants, Paris, Willy Ronis Robert Redford, by Francis Apesteguy. Crazy Horse 4, Paris cabaret REUTLINGER. Photographic Feminin portrait in colors ! Salle à manger, Edouard Baldus FONDA and VADIM la Seine à Paris, Yvette Troispoux Acrobates mongoles, Raphaël Schott Hammmam Portfolio, Michèle Maurin Les Halles rue Greneta, Alain Gaveau Gypsies, Willy Ronis Robert de Niro, Michel Giniès Franciscan, James Craig Annan Marilyn Monroe at Elia Kazan marrriage, Roy Schatt Haylé Sellassié, Tony Boyadjian Irina Ionesco - "Fafa , 16, BD Soult" Table nude, Jean-François Jonvelle Georges Meliès Studio, 1906 Elephant, Peter Beard William KLEIN, poster from 1979 designed by Roman Cieslewicz Jean Gabin, by Francis Apesteguy. Chagall and his sister Ida, Lotte Jacobi Coluche et Dalida by Michel Giniès Venice 2, Carlo Naya Camera Work 1911, Portrait, Heinrich Kuehn

Empty basket

 

LEHNERT & LANDROCK



Lehnert & Landrock are the last heirs to the vague orientalist who attracted a great number of artists during the 19th century.

Photographer and creator, Lehnert is the first to discover the East. Since 1904, it joins Ernst Landrock whose administrative spirit anticipates the possibility of commercial successes. To the First World War, Algeria and Tunisia form the framework of their association.
Scenes of the desert, oases or put in scene of naked orientalists, such are the first successes of Lehnert & Landrock which they diffuse in the shape of photographs, photoengravings or postcards.

After the war and an interlude forced in Switzerland, the two associated ones settle in Egypt where they create the East Kunst Verlag. In addition to a very complete and traditional vision of the country, Lehnert & Landrock have the privilege to photograph the treasures of the tomb of Toutânkhamon exposed to the Museum of Cairo. It is in Palestine that their adventure with the image of the peaceful cohabitation of two communities continues.

They separate in 1930 leaving behind them a single glance on the East, not deprived of the leaning Westerner for the exoticism and the erotism but also very concerned of the respect of the traditional values.